2025
Editorial reinterpretation of the character’s mental decline, using still images from the movie and image editing to reflect his psychological deterioration. As the character declines, the visuals become increasingly chaotic and overstimulating.
The book was printed using ComColor printer, repetition, layered text, and transparent red paper to enhance the horror and tension of the film.
2023
Hand-drawn and engraved plexiglass sleeve exploring Baudelaire’s decline. Coded typography shifts from light and airy to dense and unreadable, while the paper gradually becomes heavier, reflecting his deteriorating health and eventual death.
2025
This editorial redesign reinterprets an interview on Big Mama Rag, drawing from the visual language of the radical feminist publication itself. The focus lies on typography, hierarchy, spacing and rhythm, creating
a carefully structured reading experience that reflects the raw and independent character of feminist print culture.
The cover was hand-drawn, while the paper choices were selected to echo the rough, tactile quality of the original Big Mama Rag magazine.
2024
Anticipate a Fun Proof is a redesign of the preface to Bernadette Mayer’s Utopia. By extracting letters and words from the original text,
I used Mayer’s language to construct a new, personal narrative inspired by my own experiences and feelings.
The intervention creates a playful dialogue between the original text and my response to it, which appears handwritten at the end of the book. The title itself is an anagram of Paint Can Offer Utopia.